Robert Miles - Romantic Misfits (2008), Historia(2)(1)
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Romantic Misfits
Robert Miles
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
General Editors:
Professor Anne K. Mellor
and
Professor Clifford Siskin
Editorial Board:
Isobel Armstrong
, Birkbeck;
John Bender
, Stanford;
Alan Bewell
,
Toronto;
Peter de Bolla
, Cambridge;
Robert Miles
, Stirling;
Claudia L. Johnson
,
Princeton;
Saree Makdisi
, UCLA;
Felicity Nussbaum
, UCLA;
Mary Poovey
,
NYU;
Janet Todd
, Glasgow
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
will feature
work that does not fit comfortably within established boundaries–whether
between periods or between disciplines. Uniquely, it will combine efforts to
engage the power and materiality of print with explorations of gender, race, and
class. By attending as well to intersections of literature with the visual arts,
medicine, law, and science, the series will enable a large-scale rethinking of the
origins of modernity.
Titles include:
Scott Black
OF ESSAYS AND READING IN EARLY MODERN BRITAIN
Claire Brock
THE FEMINIZATION OF FAME, 1750–1830
Brycchan Carey
BRITISH ABOLITIONISM AND THE RHETORIC OF SENSIBILITY
Writing, Sentiment, and Slavery, 1760–1807
E. J. Clery
THE FEMINIZATION DEBATE IN 18TH-CENTURY ENGLAND
Literature, Commerce and Luxury
Adriana Craciun
BRITISH WOMAN WRITERS AND THE FRENCH REVOLUTION
Citizens of the World
Peter de Bolla, Nigel Leask and David Simpson (
editors
)
LAND, NATION AND CULTURE, 1740–1840
Thinking the Republic of Taste
Ian Haywood
BLOODY ROMANTICISM
Spectacular Violence and the Politics of Representation, 1776–1832
Anthony S. Jarrells
BRITAIN’S BLOODLESS REVOLUTIONS
1688 and the Romantic Reform of Literature
Michelle Levy
FAMILY AUTHORSHIP AND ROMANTIC PRINT CULTURE
Robert Miles
ROMANTIC MISFITS
Tom Mole
BYRON’S ROMANTIC CELEBRITY
Industrial Culture and the Hermeneutic of Intimacy
Mary Waters
BRITISH WOMEN WRITERS AND THE PROFESSION OF LITERARY CRITICISM,
1789–1832
David Worrall
THE POLITICS OF ROMANTIC THEATRICALITY, 1787–1832
The Road to the Stage
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
Series Standing Order ISBN 1–4039–3408–8 hardback 1–4039–3409–6 paperback
(
outside North America only
)
You can receive future titles in this series as they are published by placing a standing
order. Please contact your bookseller or, in case of difficulty, write to us at the address
below with your name and address, the title of the series and the ISBN quoted above.
Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke,
Hampshire RG21 6XS, England
Romantic Misfits
Robert Miles
© Robert Miles 2008
All rights reserved. No reproduction, copy or transmission of this
publication may be made without written permission.
No portion of this publication may be reproduced, copied or transmitted save
with written permission or in accordance with the provisions of the Copyright,
Designs and Patents Act 1988, or under the terms of any licence permitting
limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10
Kirby Street, London EC1N 8TS.
Any person who does any unauthorized act in relation to this publication
may be liable to criminal prosecution and civil claims for damages.
The author has asserted his right to be identified as the author of this
work in accordance with the Copyright, Designs and Patents Act 1988.
First published 2008 by
PALGRAVE MACMILLAN
Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited,
registered in England, company number 785998, of Houndmills, Basingstoke,
Hampshire RG21 6XS.
Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth
Avenue, NewYork, NY 10010.
Palgrave Macmillan is the global academic imprint of the above companies and
has companies and representatives throughout the world.
Palgrave
®
and Macmillan
®
are registered trademarks in the United States, the
United Kingdom, Europe and other countries.
ISBN-13: 978–1–4039–8993–2 hardback
ISBN-10: 1–4039–8993–1 hardback
This book is printed on paper suitable for recycling and made from fully managed
and sustained forest sources. Logging, pulping and manufacturing processes are
expected to conform to the environmental regulations of the country of origin.
A catalogue record for this book is available from the British Library.
Library of Congress Cataloging-in-Publication Data
Miles, Robert, 1953–
Romantic misfits / Robert Miles.
p. cm. — (Palgrave studies in the Enlightenment, romanticism
& cultures of print)
Inludes index.
ISBN-13: 978–1–4039–8993–2 (alk. paper)
ISBN-10: 1–4039–8993–1 (alk. paper)
1. English literature—18th century—History and criticism. 2.
English literature—19th century—History and criticism. 3.
Romanticism—Great Britain. 4. Books and reading—Great Britain—
History—18th century. 5. Books and reading—Great Britain—
History—19th century. 6. Literature and society—Great Britain—
History—18th century. 7. Literature and society—Great Britain—
History—19th century. 8. Great Britain—Intellectual life. 9.
Canon (literature) I. Title.
PR447.M45 2008
820.9’005—dc22
2008016318
0987654321
17 16 15 14 13 12 11 10 09 08
Printed and bound in Great Britain by
CPI Antony Rowe, Chippenham and Eastbourne
[ Pobierz całość w formacie PDF ]
zanotowane.pl doc.pisz.pl pdf.pisz.pl pingus1.htw.pl
Romantic Misfits
Robert Miles
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
General Editors:
Professor Anne K. Mellor
and
Professor Clifford Siskin
Editorial Board:
Isobel Armstrong
, Birkbeck;
John Bender
, Stanford;
Alan Bewell
,
Toronto;
Peter de Bolla
, Cambridge;
Robert Miles
, Stirling;
Claudia L. Johnson
,
Princeton;
Saree Makdisi
, UCLA;
Felicity Nussbaum
, UCLA;
Mary Poovey
,
NYU;
Janet Todd
, Glasgow
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
will feature
work that does not fit comfortably within established boundaries–whether
between periods or between disciplines. Uniquely, it will combine efforts to
engage the power and materiality of print with explorations of gender, race, and
class. By attending as well to intersections of literature with the visual arts,
medicine, law, and science, the series will enable a large-scale rethinking of the
origins of modernity.
Titles include:
Scott Black
OF ESSAYS AND READING IN EARLY MODERN BRITAIN
Claire Brock
THE FEMINIZATION OF FAME, 1750–1830
Brycchan Carey
BRITISH ABOLITIONISM AND THE RHETORIC OF SENSIBILITY
Writing, Sentiment, and Slavery, 1760–1807
E. J. Clery
THE FEMINIZATION DEBATE IN 18TH-CENTURY ENGLAND
Literature, Commerce and Luxury
Adriana Craciun
BRITISH WOMAN WRITERS AND THE FRENCH REVOLUTION
Citizens of the World
Peter de Bolla, Nigel Leask and David Simpson (
editors
)
LAND, NATION AND CULTURE, 1740–1840
Thinking the Republic of Taste
Ian Haywood
BLOODY ROMANTICISM
Spectacular Violence and the Politics of Representation, 1776–1832
Anthony S. Jarrells
BRITAIN’S BLOODLESS REVOLUTIONS
1688 and the Romantic Reform of Literature
Michelle Levy
FAMILY AUTHORSHIP AND ROMANTIC PRINT CULTURE
Robert Miles
ROMANTIC MISFITS
Tom Mole
BYRON’S ROMANTIC CELEBRITY
Industrial Culture and the Hermeneutic of Intimacy
Mary Waters
BRITISH WOMEN WRITERS AND THE PROFESSION OF LITERARY CRITICISM,
1789–1832
David Worrall
THE POLITICS OF ROMANTIC THEATRICALITY, 1787–1832
The Road to the Stage
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
Series Standing Order ISBN 1–4039–3408–8 hardback 1–4039–3409–6 paperback
(
outside North America only
)
You can receive future titles in this series as they are published by placing a standing
order. Please contact your bookseller or, in case of difficulty, write to us at the address
below with your name and address, the title of the series and the ISBN quoted above.
Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke,
Hampshire RG21 6XS, England
Romantic Misfits
Robert Miles
© Robert Miles 2008
All rights reserved. No reproduction, copy or transmission of this
publication may be made without written permission.
No portion of this publication may be reproduced, copied or transmitted save
with written permission or in accordance with the provisions of the Copyright,
Designs and Patents Act 1988, or under the terms of any licence permitting
limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10
Kirby Street, London EC1N 8TS.
Any person who does any unauthorized act in relation to this publication
may be liable to criminal prosecution and civil claims for damages.
The author has asserted his right to be identified as the author of this
work in accordance with the Copyright, Designs and Patents Act 1988.
First published 2008 by
PALGRAVE MACMILLAN
Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited,
registered in England, company number 785998, of Houndmills, Basingstoke,
Hampshire RG21 6XS.
Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth
Avenue, NewYork, NY 10010.
Palgrave Macmillan is the global academic imprint of the above companies and
has companies and representatives throughout the world.
Palgrave
®
and Macmillan
®
are registered trademarks in the United States, the
United Kingdom, Europe and other countries.
ISBN-13: 978–1–4039–8993–2 hardback
ISBN-10: 1–4039–8993–1 hardback
This book is printed on paper suitable for recycling and made from fully managed
and sustained forest sources. Logging, pulping and manufacturing processes are
expected to conform to the environmental regulations of the country of origin.
A catalogue record for this book is available from the British Library.
Library of Congress Cataloging-in-Publication Data
Miles, Robert, 1953–
Romantic misfits / Robert Miles.
p. cm. — (Palgrave studies in the Enlightenment, romanticism
& cultures of print)
Inludes index.
ISBN-13: 978–1–4039–8993–2 (alk. paper)
ISBN-10: 1–4039–8993–1 (alk. paper)
1. English literature—18th century—History and criticism. 2.
English literature—19th century—History and criticism. 3.
Romanticism—Great Britain. 4. Books and reading—Great Britain—
History—18th century. 5. Books and reading—Great Britain—
History—19th century. 6. Literature and society—Great Britain—
History—18th century. 7. Literature and society—Great Britain—
History—19th century. 8. Great Britain—Intellectual life. 9.
Canon (literature) I. Title.
PR447.M45 2008
820.9’005—dc22
2008016318
0987654321
17 16 15 14 13 12 11 10 09 08
Printed and bound in Great Britain by
CPI Antony Rowe, Chippenham and Eastbourne
[ Pobierz całość w formacie PDF ]